Thursday 25 September 2014

Beatrix Lehmann's plays in the 1920s

The following dates are from articles in The Times,
 
Saturday, Aug 18, 1923;
Play, The Mollusc
“Miss Beatrix Lehmann was very good indeed as the prime mollusc, the charming lady who takes an infinite amount of pains to do nothing until a very unconvincing climax brings her to her senses. The performance was well attended, and an excellent augury for the future of the tour.
(Beatrix was on loan from RADA, performed with the Oxford Harrovian Dramatic Society in Harrow)

Wednesday, Nov 28, 1923
Advertisement for The Magpie (magazine) with short story by Beatrix

Play, Lyric Hammersmith The way of the world. 1924 (from ROH bio)

Wednesday, May 16, 1928;
Gale Theatre Studio
Play, Twenty Below by Robert Nichols and Jim Tully
Blazes – Beatrix Lehmann
“Blaze’s contempt for the cunning and weakness of men...Miss Beatrix Lehmann’s is a brilliant little performance in the first act, and nearly as good during the rest of the play."

Monday, Jun 11, 1928
"Nju is the title of a Russian play, described as a tragedy of every-day life, by Mr. Ossip Dymov, which is to be presented on Thursday at the Gate Theatre. It has been adapted by Mr. George Merritt. The cast will include Miss Beatrix Lehmann"

Friday, Jun 15, 1928
Gale Theatre Studio,
Play Nju by Ossip Dymov
Nju – Beatrix Lehmann
“Symbolism” The tale is of a lady who fell out of love with her husband and in love with a poet. "Miss Beatrix Lehmann, a distinctly promising young actress, wrestles with the more coherent features of her part."

Friday, Jul 27, 1928
Arts Theatre Club
Play, Thunder on the left by Richard Pryce
"Mr Lawrence Anderson with Miss Beatrix Lehmann though their early love scene is a trifle sickly, contrive to hold a balance very skilfully between the natural and the fantastic"

Wednesday, Jan 30, 1929;
"playing Lady Caroline Lamb wears a white and gold gauze frock with a gold fringed cape and train from the shoulders."

Thursday, Feb 14, 1929;
The Gate Theatre
Play, Ernst Tolier’s Hoopla 

Wednesday, Feb 20, 1929
The Gate Theatre
Play, Hoppla (translated from German) by Hermon Ould
Eva Berg – Beatrix
“There is a fine, fiery sketch of one of his fellow-revolutionaries by Miss Beatrix Lehmann. But what can actors do who are compelled to play amid such handicaps?" (Pro communist play)

Thursday, Mar 14, 1929
Illness postponed play of the Race with the shadow by Wilhelm Von Scholtz

Thursday, Mar 28, 1929 – Monday April 1
Gale Theatre
Play, The race with the shadow by Wilhelm von Scholz, translated from the German by Graham and Tristan Rawson

Friday, Jun 14, 1929;
Court Theatre
Play, Eugene O’Neill’s All God’s Chillun (Programme purchased)

Tuesday, Jun 18, 1929
Court Theatre
Play, All god’s chillum got wings
Ella Downay (listed 4th)
“several of the coloured performers who appeared in Progy have parts in this reviavla. They are skilful actors, and a certain natural yet unobtrusive sympathy with characters of their own race deepens as we might expect the effectiveness of a play that treats of racial intermarriage. Mr Frank Wilson makes of the high minded young negro a curiously appealing figure, and what significance the dramatist has perceived in the character of the white wife Miss Beatrix Lehmann discovers for us in a performance that is beautifully clear cut."

Friday, Sep 20, 1929
Play, In the end of the trial by E.H. Culbertson
Miss Beatrix Lehmann plays the part of a woman who embittered by the death of her husband in the fall of rock, allows an express train to wreck itself. The part lacks variety and the crisis proper preparation.

Monday, Oct 07, 1929
The Apollo Theatre
Play, The silver Tassie

Saturday, Oct 12, 1929
Apollo
Play The Sivler Tassie by Sean O’Casey
Susie Monican
"Miss Beatrix Lehmann plays with a fierce concentration admirably directed."

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