The London Stage 1920-1929
second edition
Wearing
The way of the world by William Congreve
Lyric Hammersmith 7/2/24-28/6/24 158 performances
1st performed Lincoln's field 5/3/1700
Peggy Elsa Lanchester, Beatril Lehmann
(Bea was 21) Listed after the servants.
Reviews
Era 13/2/24, iil London news 16/2/24, 278-9, 292, nation and athenaenum 16/2/24 700
observer 10/2/24 11; sat review 23/2/24 179-80 Spectator 16/2/24, 242,
stage 14/2/24, Sunday times 10/2/24, Times 8/2/24 8
Comment: Times called this a "rattling, jaunty, jigging almost jazzing revival."and singled
out the performances of Edith Evans and Margaret Yarde. Nation thought
that the production needed to dispose of even more of the traditional business.
The Duenna (musical) by Richard Brinsley Sheridan (lib) and Alfred Reynolds,
Lyric Hammersmith 23/10/24-21/2/25
145 performances
1st performed Covent garden 21/11/1775
Lewis Angela Baddeley/Beatrix Lehmann
Reviews: Era 29/10/24, ill london news 1/11/24 820-21, 8/11/24, 894,
Nation and athenaeum 1/11/24, 185, observer 26/10/ 24, 11; Sat review 8/11/24, 469, Spectator 1/11/24, 637
Stage 30/10/24, 18, Sunday times 26/10/24, 6 Times 24/10/24
Comment The following role was added during the run, Lay Brother Scott Russell. Nation declared that
the production was, "the best entertainment that Mr. Playfair has as yet
offered us at Hammersmith." The opening-night performance was received "With
acclamation"by the audience (Stage).
The Green hat by Michael Arlen (Adapted from his novel)
Adelphi 2/9/25-7/11/25 transferred to Apollo 9/11/25-19/12/25
124 performances
1st performed Garrick, Detroit 29/3/25
Lady's Maid - Beatrix Lehmann (also understudy for Tallulah)
(programme seen at Bristol)
Era 12/9/25 iil london news 12/9/25, 506 508, nation and athenum 12/9/25, 705
observer 6/9/25, sat review 12/9/25, 284-85, stage 10/9/25, 16 sunday times 6/9/25
times 3/9/25, 8
Comment Although the novel had proved somewhat shocking, the stage version did not shock,
and was in fact an irritating disappointment (times)
Nation noted that the were "crudely yawning gaps in the dialogue" and that the
characters had turned into "mere puppets@ the first new york production (Broadhurst 15/9/25) ran for 231 performances.
Scotch Mist by Patrick Hastings
St martin's 26/1/26-3/5/26 117 performances
Mary Tallulah, Betty Beatrix Lehmann
reviews
Era 3/2/26, 1 ill london news 6/2/26, 246 nation and a 6/2/26, 645-46, observer 31/1/26, 11
sat review 30/1/26, 118-9, sunday times 31/1/26, 6 Times 27/1/26, 12
Comment Tallulah Bankhead played a scandalous wife at the centre of a
love triangle and was apparently responsible for the play's success in
the face of mediocre reviews. The first New york production (Klaw 20.9.24) ran for 16 performances.
They knew what they wanted by Sidney Howard
St Martin's 18/5/26-21/8/26
110 performances,
1st performed Garrick, New York 24/11/24
Amy Tallulah
Italian farm hands Beatrix Lehmann
Reviews
Era 26/5/26, 1 ill london new 29/5/26, 956, nation and a 29/5/26, 207
observer 23/5/26, 13, sat review 29/5/26, 647-48, spectator, 5/6/26, 946,
stage 20/5/26, 18 sunday times 23/5/26, 6 times 19/5/26, 14
Comment
The london début of American Glenn Anders who had created his role in the New York
premier. Sat review said that Anders plays Joe "with a hoarse monotone and a subtle
intensity that are devastatingly plausible" This Pulitzer prize winning play ran for
192 performances in new york.
It is expedient by Kathleen Curzon-Herrick
Royalty 14/1/26 1 performance
Miss Carter Beatrix Lehmann
Stage director Edit Martyn
Reviews Era 17/11/26, Observer 21/11/26, 15
Comment Lyceum Club Stage Society
An American tragedy by Patrick Kearney (adaptation of Theodore Dreiser's novel)
Apollo 26/6/27 and 27/6/27 2 performances
1st performed Longacre new york, 11/10/26
Bella Griffiths Beatrix Lehmann
Plot Bes 26 399-400, Bordman/3 298, Bronner Hischack, Kabtachnik 2, Loney 141 Sobel
Reviews Era 29/6/27, observer 3/7/27, 15 stage 30/6/27, 14 sunday times
3/7/26, 6 times 27/6/27, 12
Comment Venturers Society Ltd. Times found the piece was too fragmentary
but nevertheless moving. Stage praised Tom Douglas 's "Sincere and affecting"
performance. The New York production ran for 216 performances.
The Adding Machine by Elmer Rice
Court 9/1/28-4/2/28
32 performances thurs and sat matinee)
(Young man - Laurence Olivier) Judy O'Grady Beatrix Lehmann
Director Barry Jackson (who Bea later worked with for Shakespeare)
Reviews
Era 18/1/28, ill london news 21/1/28, 120, nation and a 21/1/28 598,
observer 15/1/28, 11 Sat review 14/1/28 36-37 Spectator 14/1/28, 42 Stage 12.1.28, 16
Sunday times 15/1/28, 4 Times 10.1.28, 12
Comment The realistic acting clashed with the play's expressionism and Hugh Owen's designs
(sat review) Stage described the piece as a "strange medley of fantasy and
banal realism, with its exasperating display of human puppets jabbering
and guffawing in unison"
Thunder on the left by Richard Pryce (adapted from Christopher Morelye's novel
1925)
Arts Theatre 26/7/28-29/7/28 4 performances
Joyce Clyde Beatrix Lehmann
Reviews era 1/8/28, nation and a 4/8/28, 591, observer 29/7/28, 11
stage 2/8/28, 14 Sunday times 29/7/28, 4 Times 27/7/28, 12
Comment a ten year old boy sees what his life will be like in 20 years time
1930 So fair a satrap Laodice and danae 28/3/30
Lyric Hammersmith
1 mat performance
T G Saville
Beatrix Lehmann
Rosalind Patrick
Peggy calthrop
Doria Paston
Freda Bamford
Sheila McCarthy
Brain Savoy 27/4/30
1 performance
Comment
Times found the piece too full of pseudo scientific jargon about the development of a brain that takes over the world, and also noted that the essentially sympathetic audience grew impatient with the play. Stage echoed the same sentiments about this turgid and long winded piece. For Bernard shaw's favourable comments on the piece, including a comparison with Back to Methuselah see entertainments, times 17/3/30
Late night final 25/6/31-17/10/31
Phoenix
132 performances
Fred Ayer, George Currie, Bennett O'Loghlen, George Dillon, Allen Jenkins, Raymond Masey, Francis Sullivan, Charles Mortimer, Arther Bander, Persy Parsons, Douglas Pack, Alan Keith, Eliot Makehman, John Gordon, George Courtney, William taylor, Molly Johnson, Pamela Henry May, Carol Goodner, Beatrix Lehmann, Louis Hampton, Rosemary Ames, Maude Courtney, Peggy Baulch, ...
Comment The production employed three revolving stages. New statesman said it was an ugly play about the workings of the yellow press that ignored its victims. Times declared the play was in its effects as violednt and in astehic content as worthless as the squalor it attacks. American Rosemary Ames'London Debut. A midnight performance was given on 17/7 in aid of journalistic charities. The new york performance ran for 172 pers.
Overture by Sutton Vane
Little theatre
24/4/33-13/5/33 1st performed everyman 11/4/25
Allan Jeayes, Arthur Pusey, George Thirwell, Hay Petrie, David Horne, Randold Mcleod, John Rea, William FazAN, Earle Grey, Reginald Peldon, Kenneth Howell, Jonathan Field, Elizabeth Maude, Beryl Laverick, Nancy Price, Louise Hampton, Betty Hardy, Edith Sharpe Beatrick Lehmann (Another cockney),
Pres - People's national theatre
reviews observer 30/4/33 Sat review 29/4/33, Stage 27/4/33 Sunday times 30/4/33
Comment the play presented a group of characters on their way to their birth, fragments of their lives, and their return to death.
Wild Decembers by Clemence Dane
Apollo 26/5/33-8/7/33 50 performances
Marcus Barron, Emlyn Williams, Ralph Richardson, Austin Trevor, Edmund Tottenham, Cyril HOrrocks, Diana Wynward, Bea, Thea Holme, Frances Ross Campbell, Stella Arbenia, Joan Swinstead, Agnes Imlay, Ethel Wellesley, Marriot Watson,
reviews Era 31/5/33, ill London news 10/6/33 New statesmans 3/6/33 10/6/33, Observer, stage, sunday times, times
Comment an episodic biographical play on the Brontes that provided little dept to the characters (times) the play was to be withdrawn on 2/6 but Diana Wynard decided to continue the run under her own management.
The wandering Jew by E Temple Thurston
Princes 26/8/33-18/11/33 102 performances
Matheson Lang, Lennon Cleland, Frank Woolfe, Ernest Bodkin, George Del Lara, George E Bancroft, Hector Abbas, George Skillan, Wilfred WAlter, Hutin Britoon, Margraet damer, Stella Arbenia, Jane wood, Patience Rignold, Beatrix (Olalla Quintana)
era 30/8/33 ill london news 16/9/33 stage times
Comment the play presented four historical phases, from the crucifixion of Christ to the Spanish inquisition, depicting the wandering Jew, Matheson Lang played his roles in the original London production.
The Tudor wench by Elswyth Thane
Alhambra 16/11/33-16/12/33 36 performacnes, first performed a tthe embassy 23/10/33
Derrick De Marney, John Laurie, Herbert Lomas, Frederick Piper, Reginal Beckwith, Cyril hay, Bea, Annie Esmond, Mollie Hartley Milburn, Ruth Wynn OWen,
era 22/11/33 new statesman 25/11/33 stage sunday times times
Comment This play on Elizabeth I's girlhood owed much to the performance of Beatrix Lehmann.
Success story by John Howard Lawson
15/2/3
4-3/3/34 20 performances
Hugh Brooke, Jack Minister, Abraham Sofaer, Esme Percy, Elliot Seabrooke, Stuart Boult, Bea, Merle Tottenham, Jeanne de Casalis, Susan Otto, Thomas Bostock,
Ill London News 24/2/34 3/3/34 observer, sunday times, times
comment stage said that the play worked better on the smaller Shilling theatre stage. The new york production ran for 121 perf.
Eden end by Priestly duchess 13/9/34-2/2/35 162 perf
John teed, Edward Irwin, Franklyn Bellamy Ralph RIchardson, Nellie Bowman, Alison Leggatt, Bea,
Era 19.9 ill London news 29/9 new statesman 22/9 observer, spectator 21/9 stage sunday times times
Comment Times thought that priestley's fluid unassertive, undeclamatory style was not yet successful in this play about a failed actress returning home. Spectator thought that it was preiestley's best and most valuable play. see also pictorial 65, no. 391 the first new york production ran 24 p.
French as she is learnt by E F Watling
Daly's
23/9/34 1 perf
Edward Chapman Ralph Richardson, Beatrix Lehmann, Margret Yarde,
Produced Bruce Belfage
Review Times 24/9/34,
comment Green Room Rag in aid of various charities.
The witch of Edmonton Thomas Decker
Old vic
8/12/36-2/1/37, 27 performances
Marius Goring, George hayes, Alec Guinness, Ernest Hare, Michael Redgrave, Leonard Sachs, William Devilin, Ian Mackenzie, Hedly Briggs, John Abott, Beatrix Lehmann, Anna Konstam, Eve Robere, Edith Evans, Betty Potter,
Era 16/12/36, new statesman 12/12/36 sunday times times
Comment the attribution of the play solely to Dekker is the progmans. Times thought that the revival was an experiment worth making. but not much more. A supremely good production (New statesman) although stuart Burge listed his performance here as his debut he had appeared in two early productions. See also pictorial 70 no 415 (1937)
First night by Sheila Donisthorpe arts 21/2/37-22/2 3 performances
Edward Irwin, Christopher Quest, Jack Livesey, Derrick Paxton, Felix Irwin, Frith Banbury, Beatrix (Judith Armstrong) Ann Wilton, Nadine March, Margaret Damer, Ethel Coledrige, Phyllis Birkett, Maude Lambert Cobie Court Christine Lindsay,
era 24/2/37 observer stage times
comment a performance scheduled for 23/3 did not take place because Edward Irwin collapsed just before the start of the performance (see times 24/2/37) Irwin died on 25/2 the play was about the rise of a successful female dramatist.
Mourning becomes Electra Eugene O'Neill
Westminster
19/11/37015.1.38 transferred to New 19/1/38-26/3/38 106 performances
John Abbott, William Devlin, Craighall Sherry, John Ford, Reginald Tate, Mark Dignam, Philip Godfrey, Enid Price Hill, Mona Washobourne, Laura Cowie, Bea, Jean Winstanley, Jean Moncrieff,
era 27/11/37, ill london news 27/11/37, new statesman 27/11/37 observer spectator 26/11/37, stage sunday times, times
comment The performance lasted four hours. Among several fine performances Beatrix Lehmann's Lavinia belonged in the "Highest rank" (Times) Mona Washbourne's London debut. The new york production ran 150 per.
No more music rosamond lehmann
Duke of yorks 27/2/38-13/3/38 3 performances
Morland Graham Gordon Mcleod, Jack Hawkins, Benjamin Danso, Mae Haygood, Margaret Rutherford, Margaret Scudamore, Bea, Ruth Taylor, Jane Baxter, prd Bertold,
observers spectator 4/3/38, stage sunday times, times,
comment London International Theatre club, the play was about the indifference of the born dilettante to real life (Times) Spectator suggested that the piece was too witty and well written to be given a regular production.
The human voice Jean Cocteau
Westminster
17.7.38 1 performance
pd berthold
reviews New statesman 23/7/38 stage times
Comment preceded by a eulogy by stephen spender. Diseuse Marianne Oswald also performed several items before and after the playlet.
They walk alone Max catto
Shaftesbury 19/1/39-29/44/39 transf to comedy 1/5/39-3/6/39 156 performances
Beckett Bould, Alastair Macintyre, Jimmy Hanley, Peter Standfast, Rene Ray, Carol Goodner, Bea,
Ill London news 28/1/39
new statesman 26/1/39 observer stage sunday times times
Comment the new york production of this murder drama with music by Benjamin Britten ran for 21 performances.
1940s
Desire under the elms
Eugene O'Neill Wesminster
24/1/40-6/4/40 86 performances
Stephen Murray, Richard George, Woodbridge, Mark Dignam, Beatrix Lehmann, Georgia MacKinnon, Marie Ault,
Ill lond news 10/2/40 new statesman 3/2/40 obs, spectator 2/2/40 Sunday times times
Close quarters by Gilbert Lennox
apollo 31/7/41-23/8/41 28 performances
Karel Stepanek Beatrix Lehmann
New states 9/8/41 observer times
Jam today Denis Waldock and Roger Burford
St Martin's 19.2.42-9/5/42 92 performances
Firth Banbury, Frank Pettingell, John Stuart, Betty Jardine, Olga Lindo, Bea (Ilona Benson) DOreen Percheron,
obs 22/2/42 spectator 27.2.42 stage times
Ghosts ibsen
Norman Ginsbury translation
Duke of Yorks's 25/6/43-28/8/43 74 performances
Harry Herbert, Edward Byrne, John Carol, Elizabeth Hunt, Bea (mrs alving)
New states 10/7/43 obs spectator 2//7/43 stage times
Uncle Harry by Thomas Job
Garric ck 29/3/44-8/7/44 121 perf
Michael Redgrave, Ian Colin, Keith Campbell, Arthur Davis John Garside, Robert Young, Hugh Stewart Lee Fox, Donald FInlay, Ena Burrill, Bea, (lettie) Susan Richards, Rachel Kempson, Grace Debeigh Russell,
New states 8/4/44 29/4/44 Obs spec 7/4/44 stage times sunday times
Uncle Harry
Garrick 7/9/44-17/2/45 188 performances
cast as above
Vicious circle Satre
Trans marjorie Gabain and Joan Swinstead
arts 16/7/46-11/8/46 27 performances
Alec Guiness, Donald Peasance, Bea, Betty Ann Davies,
Dir Alec Cunes
New statesman 27/7/46, obs, stage sunday times times
On the way Helge Krog
Arts 10/10/46-20/10/46 14 perf.
Frederick Richter, Micahel Gwynn, Derek Birch, Roderick Lovell, Micheal Godfrey, Susan Richmond, Dir Alec Cunes, Prod Beatrix Lehmann
Obs 13/10/46 stage 17/10/46 Times 11/10/46
The Rising Son Herman Jeijermans
Arts 16/11/46-1/12/46 23 performances
Bea produced Alec directed
Denis Carey, Robet Cartland, Michael Gwynn, Bernard Bennett, Geoffrey Parkes, John Lindsay,Marjorie Zeidler, Dorothy Gordon, Yvonne Coultette
Obs 10.11.46 stage 14/11/46 times 7.11.46
Fatal curiosity George lillo
Arts 5/12/46-29/12/46 29 perf
Bea producer, Alec directed
Hugh Griffith, Michael Gwynn, Robert Cartland, Julian Randall, Susan Richmond, Rachel Kempson, Peggy Taylor.
Obs 8/12/46, stage 12/12. sunday times 8/12 times 6/12
Richard II
His Majesty's
2/10/47-4/10, 13/10-14/10, 24/10-25/10 9 perf
Robert Harris John Ruddock Michael Golden, Myles Eason, JOhn Harrison, David Oxley, John Warner, Julian Amyes, William Avenell, Joss Ackland, Maxeell Jackson, Donald Sinden, George Cooper, ... Bea (duchess) Joy Parker,
ILN 11/10/47, New states 11/10/47 stage sunday times times
Romeo and Juliet
His Majesty's
6/10-7/10, 11/10, 17/10-18/10 22/10-23/10 11 perf
As stratford cast
Ill london news 11/10/47, new statesman 18/10 obs staege sunday times,
times
Comment Shakespeare memorial theatre co.
Twelfth night, or what you will
His Majesty's
8/10-10/10, 15/10-16/10, 20-10-21/10 10 perf
Julian Amyes, Michael Golden, Leigh Crutchley, John Warner, John Blatchley Paul Scofield, Dudley Jones, Duncan Ross Walter HUdd, Douglas Seale, Laurence Payne, Bea (viola) Helen Burns, Daphne Slater, Gwen Williams,
Ill london 11/10/47, new statesman 18/10 obs stage, sunday times times
No trees in the street Ted Willis
St James
27/7/48-7/8/48 14 performances
Russel Waters, John Stratton, Arthur Lane, harry Herbert, Duncan lamont, Hilda Fenemore, Bea (Jess Gold), Charmian Eyre, Diana Hely-Hutchinson, Prince Littler,
New states 7/8/48, obs, stage, sunday times, times
Shall we join the ladies? J M Barrie
Drury lane, 26/10/48
1 matinee perf.
Mervyn Johns, Ronald Squire, Denys Blakelock, William Douglas Home, James Hayter, Alan Napier, Francis Lister, Valerie Taylor, Beatrix Lehmann (Lady Wraithe) Fabia Drake, Sonia Dressel, Barbara Couper, Celia Johnson Marian Spencer, Joan Swinstead,
times 27/10/48
comment also performed short items & excerpts from other pieces.
The day's mischief Lesley Storm (mabel Cowie)
Duke of Yorks 11/12/51-2/2/52 60 perf
Ian Hunter, Walter Fitzgerald, Muriel Pavlow, Catherine Lacey, Marjorie manning, Bea, Nuna Davey, Barbara Fletcher, Betty Blackler, Mavis Walker, Marianne Davis,
Dir Norman Marshall
ill London news 5/1/52, new states 22/12/51 observ spectator 14/12/51 ssunday times, times
Comment The play examines a schoolgirl's crush on one of her teachers and its ramifications. New Statesman praised virtually every aspect of the play although it attempted to cover too much ground.
The father August Strindberg version by Max Faber
Arts 26/2/53-22/3/53 30 performances
wilfrid Lawson, Oliver Johnston, Paul Stasino, Gerald Harper, Kynaston Reeves, Bea, Nora Nicholson, Dorothy Gordon, dir Alec Clunes
Ill lond news 14/3/53 new statesman 7/3/53 obs spectator 6/3/53 Stage times
Comment Spectator declared Wilfrid Lawson's performance was a masterpiece of its kind. New statesman agreed adding praise for both Beatrix Lehmann and the translation On the production see Trewin, 50.
No sign of the dove Peter Ustinov
Savoy 3/12/53-12/12/53 11 performances
Raymond Huntley, Robin Bailey, David Kossof, Miles malleson, Norman Pierce, Stanley van Beers, Bea, Suzanne Cloutier, Alvys Maben.
Ill London 19/12/53, New states 12/12/53, Obs, plays and plays 1/54 spectator, 11/12/53, Stage, sunday times, times
comment: This reworking of the Noah story let loose the dreaded flood from the gallery on opening night (Times)
The new statesman critic saw the play on the second night and found that the audience was sympathetic and enjoyed the play throughout. Stage noted both audience reactions.
Blood wedding Lorca trans O'connel and Lujan
Arts 3/3/54-28/3/54 31 perf
Nicolas Amer, Alec Mango Linoel Jeffries, Maurice Kaufmann, Tader Faulkner, Bea, Gladys Boot, Gillian Webb, Heather Chasen, Hazel Penwarden, Ruth Dunning, Rosalind Bozall, ...
New states 13/3/54 obs, plays and plays 4/54 spectator 12/3/54, stage, sunday times, times,
comment This translation was published in 1941. Peter Hall's production deals almost entirely successfully with Lorca's impossible requirements (Spectator). New Statesman found the production commendable but not the translation. This production is a brave attempt at the impsottible (Stage) on the production see trewin 53-54
The waltz of the toreadors 0 Jean Anouilh
Arts 24/2/56-25/3/56, trfd to Criteriion 27/3/56-30/11/57 737 performances
Lists two sets of cast members but not how long each was in the play.
ill london news 14/4/56, new statesman 10/3/56, obs, plays and players 4/56 spectator 9/3/56 stage, sunday times.
This translation was broadcast on BBC radio on 11/1/53. On the production which Spectator found intelligent but lacks astringincy, see also Trewin 58, Derek Nimmo's london debut. Performed in NY for 132 p.
The birthday part Harold Pinter
Lyric hammersmith
19/5/58-24/5/58 8 performances
1st perd arts cambridge 28.4.58
Willougby Gray, Richard Pearson, John Slater, John Stratton, Bea, Wendy Hutchinson,
Ill London news 31/5/58, new state 31/5/58, obs, plays and players 7/58 spectator 30/5, stage sunday times times
Comment while times gave up in despair on the puzzling plot, sunday times declared pinter, on the evidence of his work, possesses the most original, disturbing and arresting talent in theatrical london. The play is like a vintage hitchocock trailer which has been, in the immortal tear-stained words of orson welles, edited by a cross eyed janitor with a lawn mower (Spectator). New states said Pinter showed very considerable promise, but thought the play maddeningly elusive. The first NY production ran for 126 perf.
Something unspoken
arts 16.9.58-26/10.57 48 perf (as below for suddenly)
Beryl measor, Beatirx Lehmann
Ill London news 27/9/58, new states 27/9/58, obs, plays and players 11/58, spectator 29/9/58, stage, sunday tiems, times,
comment, were performed under the general title, Garden district. on the production see Trewin, 62
Suddenly last summer (Same)
David Cameron, Philip Bond, Bea, Margo jOnes, Beryl Measor Patricia Neal, Gewn Newlson.
Reviews as above
Times dubbed the play a highbrow thriller whose denouement was somewhat puzzling. Beatrix Lehmann and Patricia neal (making her London debut) gave powerful performances (stage) Spectator discussed in detail the theme of homosexuality in Williams plays and items 240-241 in particular.
Macbeth Old vic
17/12/58 -23/4/59 (see photo for exact dates) 59 performances
derek francis, Jeremy Kempt, Daniel Thorndike, Barrie Ingham, Dennis Chinnery, Michael Horden, Jack May, Edward Harwicke, ...
ill london news 3/1/59, new states 3/1/59, obs 21/12 plays and players 2/59, spectator 2/1/59, stage sunday, times,
Times said that Beatrix Lehmann and Michael Horden appear totally miscast (Spectator agreed) and that the production was as a whole a somewhat hollow and swaggering affair. However,stage declared the entire production, one of the most impressive in years.
The aspern papers Michael redgrave
Queens
12/8/59-2/7/60 370 perf.
Micahel redgrave, Robert Beatry. Bea whole run, Olaf Pooley, Paulien Jameson, Nancy Nevinson, Flora Robson, Harold Gosling,
Ill London news 29.8/59 new satesman 22/8/59, obs, plays and players 9/59, spect 21/8/59, stage, sun, times,
Fine performances from Redgrave, Lehmann and Robson (Spect) the first NY production 93 perf.
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